Layne … Kurt
Walking Papers anuncian fechas europeas
Walking Papers announce European dates
April 27th – Tilburg, Netherlands @ 013
April 28th – Amsterdam, Netherlands @ The Winston
April 29th – Hamburg, Germany @ Logo
May 1st – Cologne, Germany @ The Underground
May 2nd – Saarbrucken, Germany @ The Garage Club
May 3rd – Paris, France @ La Fleche D’or
May 4th – London, England @ The London Garage
June 11th – Dublin, Ireland @ The Pint
June 12th – Belfast, Northern Ireland @ Voodoo
June 13th – Glasgow, Scotland @ Stereo
June 14th – Donnington, England @ Download Festival (acoustic set)
June 15th – Donnington, England @ Download Festival (regular set)
June 16th – Tallinn, Estonia @ Rock Summer Festival
Curioso documental no oficial de Alice In Chains
Alice In Chains Stories from Korn, Slipknot, Zakk Wylde, Device, Five Finger Death Punch, Mad Season, and More
Sacado de: http://www.artistdirect.com
You can search the entire canon of recorded music, and you’ll never find a band that can do what these Seattle Legends can. Dirt defied all categorization. It wasn’t «grunge» per se. It wasn’t alternative either. It wasn’t even metal. Instead, it was a gut-wrenching, guttural, and grim head trip worth taking over and over again. You could fill up books discussing the album’s nuances. Facelift kicked everything off, certainly, but Dirt was where Alice In Chains became perfect and utterly essential for any real music fan. In addition to the psychedelic metallic prog, Layne Staley, Jerry Cantrell, Mike Inez, and Sean Kinney could jot down an unforgettable hook—in blood. Look no further than Jar of Flies or even the first acoustic EP, Sap. Their highly underrated self-titled swan song with Staley also brims with the same kind of infectious energy. Staley remains an icon, and there’s no doubt he’d be proud of the band’s comeback with 2009’s Black Gives Way to Blue featuring vocalist William DuVall and this year’s The Devil Put Dinosaurs Here, out May 28.
Friday April 5 marks eleven years since Staley’s untimely death. However, ARTISTdirect.com editor in chief Rick Florino spoke to some of the biggest names in rock rock including Korn, Slipknot, Zakk Wylde, Five Finger Death Punch, HIM, Papa Roach, Portugal. The Man, Device, and more about Alice In Chains and Staley’s impact.
Check it out below…
How did Alice In Chains impact you? Can you share some seminal memories? What are some favorite songs are records?
Corey Taylor of Slipknot & Stone Sour
Corey Taylor: I’ve just been a huge, diehard Alice In Chains for as long as I can remember. I’ve said it before, and I’ll continue to say it. I feel like they’re responsible for the way that I write. «Would?» is one of my all-time favorite songs in history. When I heard «Would?» for the first time, it showed me that anything was possible within music. You could really do anything, and there were no rules. Growing up, I was so into punk. In the alternative world, there was a sentiment that you had to write a certain way. «Would?» came out, and it hit me right in the face. My first reaction was, «This could very well be one of the greatest songs ever written!» Dirt is an album with so many ghosts, and they’re very real and alive. They’ll always be one of my favorite bands. I can’t wait to hear the new record. I still love Black Gives Way to Blue too.
Brian «Head» Welch of Korn & Love and Death
Brian «Head» Welch: I’m a huge Alice In Chains fan. When I first heard «Man in the Box», I wanted to be the writer of that riff so badly. That was a couple years before Korn, but it felt like a long time to me. I wasn’t even really playing music. I was just a roadie for Munky and his little bands. When I heard «Man in the Box», I was like, «I wish I could write music like that!» Luckily, a couple of years later, we started coming up with our own music. Facelift was so great. They’re still going strong. They had a total rebirth, and it’s awesome. Playing with them at Rock on the Range, I feel like I’m Wayne’s World—»I’m not worthy» [Laughs].
Zakk Wylde of Black Label Society and Ozzy Osbourne
Zakk Wylde: The first time I heard Jerry Cantrell and the boys was «Man in the Box». Then, there was «Sea of Sorrow». I was like, «Dude, this stuff’s awesome!» They played Long Beach Arena in 1989 on some metal thing with Lynch Mob. I saw them there on Facelift, and it was way cool. All of their records are cool. They’re like Led Zeppelin records because they’re all different. I remember the first time Jerry played me Dirt in the back of the tour bus. They were out with us on an Ozzy Osbourne tour. I was like, «Dude, this is fucking ridiculous!» To me, that’s their Led Zeppelin IV, Back in Black, or The Black Album. For every band, the stars align on that record, and they’re primed and geared for that next jump. From beginning to the end, everything about that record is incredible.
Barrett Martin of Mad Season & Screaming Trees
Barrett Martin: I actually did not see Alice In Chains in the very early Seattle years. They played a different circuit of clubs than the grunge bands did. Early Alice In Chains was a little more glam, and it leaned more towards what you might call «Hollywood». They were a bit more metal, and their image was different from the grunge bands. The clubs they played were also different. I played in some punk bands and some early grunge bands, and we played downtown Seattle and the clubs in the middle of the city. Alice In Chains were playing out in the suburbs a little bit. I heard Facelift, and I thought there were some good tracks. I felt like those guys were on to something. Then, I got an advance copy of Dirt. I thought, «Wow, this is the record that’s going to break them». That was their big record. The first time I saw them was the night Screaming Trees played in Hamburg with them. That was the first show of the world tour we did with them. It started in Germany. Here’s what I do remember about Layne. I stood on the stage every night and watch the show. His voice was so powerful back then. On the side of the stage, most of what you hear is the guitars and drums, but Layne’s voice was so loud. You could hear him singing out of his body more than anything else. His acoustic voice commanded the stage as much as any of the other instruments. He really had a set of pipes and could push it out
Ivan Moody of Five Finger Death Punch
Ivan Moody: Alice In Chains truly shaped me. They’re one of my biggest influences, and they will be forever. I come back to Dirt all the time. Jar of Flies is one of my all-time favorite CDs. The lyrics on both of those records are just so haunting and so powerful. Layne was one of a kind.
Ville Valo of HIM
Ville Valo: I missed their gig because I was under age [Laughs]. They played Helsinki right when Dirt came out back in 1992. Screaming Trees were the support. It was just when Screaming Trees had released Sweet Oblivion, which is one of my favorite grunge-y albums. Mark Lanegan is one of my favorite singers as well. I missed the show because I was 16- or 17-years-old at the time. I got to meet the guys later on, now that they’ve regrouped. We played some gigs, and William DuVall has come to see us a couple of times when we played in the States. Dirt was huge for me. It’s fucked up if you think of the whole record. It’s filled with really odd stuff like «Angry Chair». People remember them from «Them Bones» and the more rock-y numbers, but they had a lot of weirdness too. They had long mood-y pieces that were definitely against the grain, similar to Jane’s Addiction. I love «Would?», but «Down in a Hole» is one of my favorite slow super melancholy doom-y numbers of all time.
David Draiman of Disturbed & Device
David Draiman: I remember «Man in the Box» used to be the test song for tryouts when I was auditioning for bands prior to Disturbed [Laughs]. It was around the time that Facelift came out, and that song was big. Everybody was so blown away by Layne’s vocals. It was like, «Okay, if you can hit that chorus, then you’re somebody!» I remember singing it at a hundred different auditions. It’s unbelievable. I’ll always love them.
Greg Puciato of The Dillinger Escape Plan
Greg Puciato: I was the biggest Metallica fan ever, and I was waiting for the debut of «Enter Sandman». I was ten- or eleven-years-old, and I was watching MTV constantly for two things. I was waiting for «You Could Be Mine» and «Enter Sandman». Use Your Illusion, Terminator 2: Judgment Day, and The Black Album all came out during the same summer. What I didn’t know was that I was going to get blindsided by all of this other cool shit, while I was waiting for all of that other stuff to come out. That was when Nirvana’s Nevermind arrived, and Pearl Jam started happening. I found Soundgarden and Alice in Chains. I actually remembering sitting on my parents’ couch watching MTV, waiting for the world premiere of «Enter Sandman», and seeing «Man in the Box». I was like, «This is really weird. There’s a person with his eyes sewn shut. It’s really cool!» I didn’t get into them on that record though. When Dirt was released, I was in the throes of grunge-dom. Singles happened, and «Would?» was such a huge song. I was a massive fan from that point forward. Again, Dirt is a perfect record.
Zachary Carothers of Portugal. The Man
Zachary Carothers: I was definitely an Alice In Chains fan! My cousin and I used to cover a few songs live back in the day. I dug into the Seattle scene. All of that music made a huge difference in my life. I’ve heard comparisons between my playing and Mike Inez’s before. It’s definitely not a conscious thing. Subconsciously, I always did love his bass playing.
Aaron Lewis: The first time I heard them was Facelift. I remember seeing them at Lollapalooza the same year Rage Against the Machine played at like one in the afternoon. Tool was on at like four. Alice in Chains was on at six. Red Hot Chili Peppers headlined. It was in Hartford. There fires burning. People were ripping the fence down at the back of the venue and lighting it on fire. They ripped up all the grass and were throwing huge chunks of sod. It’s stuff you just don’t see at a country show [Laughs]. Live, it was Layne Staley’s uncaring, stoic persona that hit me. He stood there with those big fly glasses on and the black leather jacket holding the microphone and the stand with one hand on each. That was it for the whole set. Every single song they played was awesome. They fucking killed it. Layne’s lyrics were massive for me. It was much more self-inflicting. It was much more introspective and not necessarily observational poetry. He was baring his soul when he wrote. I’ve been playing his songs myself for the past 20 years.
Jacoby Shaddix of Papa Roach
Jacoby Shaddix: I was probably fifteen-years-old the first time I heard Alice In Chains. They were one of the bands that crossed grunge with dark, doom rock. It was like, «Let me a brown weed joint, listen to Alice In Chains, and freak the fuck out». [Laughs] I can’t wait to see them at Rock on the Range.
Jeff Kendrick of DevilDriver and Founder, AllAxess.com
Jeff Kendrick: I first heard «Man in the Box» in 1991 on WAAF in Boston. I’ve been hooked since. There is something so magical about their music, their approach to writing, and their sound. Their music has profoundly dark textures and hypnotic elements. Regardless of their very simple approach, they have many layers and sub-layers of melody, harmony and groove. They embody kick-ass heavy rock that no one was better at. Countless musicians, including myself, have been influenced and mesmerized by this Seattle titan since the nineties. I feel that Dirt is the quintessential record from this band and is one of my all-time favorite albums.
Robb Flynn of Machine Head
Robb Flynn: I love Alice In Chains, man. That hazy, psychedelic shit really got me. Dirt was so fucking good. I remember listening to it a ton.
Gustav Wood of Young Guns
Gustav Wood: The first time I heard them I remember thinking there was something really strange about Layne Staley’s voice. It was almost unsettling. They didn’t have the pop sensibility that Nirvana did. Nirvana was so Beatles-esque. Alice In Chains were more on the metal side. My brother thought Layne was king, so I couldn’t get away from them [Laughs].
Diversos músicos recuerdan como conocieron a Alice In Chains
Sacado de // From: http://portalternativo.com – http://www.artistdirect.com
Corey Taylor (Stone Sour / Slipknot)
He sido un fan acérrimo, a muerte de Alice In Chains desde que tengo uso de razón. Lo he dicho ya antes y lo seguiré diciendo. Creo que son responsables de la forma en que escribo. “Would?” es una de mis canciones favoritas de la historia. Cuando oí “Would?” por primera vez, me mostró que cualquier cosa es posible en la música. Puedes hacer cualquier cosa y no hay reglas. Mientras me hacía mayor andaba muy metido en el punk. En el mundo alternativo había un sentimiento de que tenías que escribir de determinada manera. “Would?” salió y me golpeó en la cara. Mi primera reacción fue, “¡Esta podría ser una de las mejores canciones que se hayan compuesto nunca!” “Dirt” es un álbum con tantos fantasmas y todos ellos muy reales y vivos. Siempre serán una de mis bandas favoritas. Me muero de ganas por oír el nuevo disco. Me sigue encantando “Black Gives Way To Blue”.
Brian “Head” Welch (Korn / Love And Death)
Soy un gran fan de Alice In Chains. Cuando oí por primera vez “Man in the Box” quise haber sido el compositor de ese riff. Eso fue unos años antes de Korn pero lo sentí como mucho más. La verdad es que ni tocaba música por entonces. No era más que un ‘roadie’ de Munky y sus pequeñas bandas. Cuando oí “Man in the Box” me quedé, “¡Me encantaría poder componer música así!” Por suerte, un par de años después, empezamos a hacer nuestra propia música. “Facelift” era tan genial. Siguen fuertes. Tuvieron un renacimiento total y es maravilloso. Tocar con ellos en el Rock on the Range me hace sentir como en Wayne’s World – “No valgo nada” (risas)
Zakk Wylde (Black Label Society / Ozzy Osbourne)
La primera vez que oí a Jerry Cantrell y los chicos fue “Man in the Box”. Luego fue “Sea of Sorrow”. Me quedé en plan, “¡Tío! ¡Esto es increíble!” Tocaron en el Long Beach Arena en 1989 en algún festival metal con Lynch Mob. Los vi ahí con “Facelift” y moló. Todos sus discos molan. Son como discos de Led Zeppelin porque son todos diferentes. Recuerdo la primera vez en que Jerry me puso “Dirt” en la parte de atrás del bus de gira. Estaban con nosotros en una gira con Ozzy Osbourne. Fue como, “¡Tio, esto es tremendo, joder!” Para mi ese es su “Led Zeppelin IV” o “Back in Black” o “Black Album”. Para cada banda, los astros se alinean en ese disco y están listos y preparados para el próximo salto. De principio a fin, todo en ese disco es increíble.
Barrett Martin (Screaming Trees / Walking Papers)
De hecho no vi a Alice In Chains en sus primeros años en Seattle. Tocaban un circuito diferente del que hacíamos las bandas grunge. Los primeros Alice In Chains eran un poco más glam y se inclinaban más a lo que llamaríamos “Hollywood”. Eran un poco más metal y su imagen era diferente de la de las bandas grunge. Los clubs en los que tocaban eran también diferentes. Toqué en algunas bandas punk y algunas primerizas bandas de grunge y tocamos en el centro de Seattle y en los clubes. Alice In Chains tocaban en los suburbios. Oí “Facelift” y me pareció que habían algunos temas buenos. Sentí que esos chicos andaban en camino de algo. Luego me hice con un avance de “Dirt”. Y pensé, “Guau, este es el disco que va a hacer que lo peten”. Ese fue su gran disco. La primera vez que les vi fue la noche en que Screaming Trees tocó con ellos en Hamburgo. Fue el primer concierto de la gira mundial que hicimos con ellos. Empezó en Alemania. Recuerdo a Layne, me ponía cada noche en el lateral del escenario y veía el concierto. Su voz era tan poderosa por entonces. En el lateral del escenario lo máximo que oyes son las guitarras y la batería pero la voz de Layne era tan fuerte. Le oías cantando dejándoselo todo por encima de todo. Su voz acústica comandaba el escenario como cualquier otro instrumento. Vaya cuerdas vocales tenía y como las usaba.
Ivan Moody (Five Finger Death Punch)
Alice In Chains me formó. Son una de mis mayores influencias y lo será siempre. Siempre vuelvo al “Dirt”. “Jar of Flies” es uno de mis CDs favoritos de siempre. Las letras en ambos discos son tan opresivas y poderosas. Layne era único.
Ville Valo (HIM)
Me perdí su concierto por ser menor (risas) Tocaron en Helsinki justo al salir “Dirt” en 1992. Screaming Trees eran los teloneros. Era justo cuando Screaming Trees habían lanzado “Sweet Oblivion”, que es uno de mis álbumes grungeros favoritos. Mark Lanegan es uno de mis cantantes favoritos. Me perdí el concierto porque tenía 16 ó 17 por entonces. Pude conocer a los chicos más adelante, ahora que se han reagrupado. Hicimos algunos conciertos con Willaim DuVall ha venido a vernos un par de veces cuando hemos tocado en EEUU. “Dirt” fue grande para mi. Está jodido si piensas en todo el disco. Está lleno de cosas raras como “Angry Chair”. La gente los recuerda por “Them Bones” y de canciones más rockeras pero tenían muchas cosas raras. Tenían largas piezas emotivas, a contracorriente, parecido a Jane’s Addiction. Me encanta “Would?” pero “Down in a Hole” es uno de mis temas lentos super melancólicos doom favoritos.
David Draiman (Disturbed / Device)
Recuerdo que “Man in the Box” solía ser la canción con la que se hacían las audiciones en las bandas que probé antes de Disturbed (risas) Era por la época del “Facelift” y esa canción era grande. Todo el mundo quedó flipado por la voz de Layne. Fue como, “Vale, ¡si clavas ese estribillo, eres alguien!” Recuerdo cantarla en cientos de audiciones diferentes. Es increíble. Siempre me encantarán.
Greg Puciato (The Dillinger Escape Plan)
Yo era el fan más grande de Metallica y esperaba el debut de “Enter Sandman”. Tenía diez u once y miraba la MTV constantemente por dos cosas. Esperaba el “You Could Be Mine” y el “Enter Sandman”. “Use Your Illusion”, “Terminator 2: Judgement Day” y el “Black Album” salieron ese verano. Lo que no sabía era que iba a quedar cegado por esta otra mierda molona mientras esperaba que saliera todas esas otras cosas. Fue cuando salió el “Nevermind” y empezó lo de Pearl Jam. Encontré a Soundgarden y Alice In Chains. Recuerdo estar en el sofá de mis padres viendo la MTV, esperando el estreno mundial de “Enter Sandman” y ver “Man in the Box”. Me quedé, “Esto es realmente raro. Hay una persona con los ojos cosidos. ¡Mola!”. Pero no me entró ese disco. Cuando salió “Dirt” yo estaba en la agonía del reino grunge. SAlió “Singles” y “Would?” era un temazo tan grande. A partir de ahí fui un gran fan. “Dirt” es un disco perfecto.
Zachary Carothers (Portugal The Man)
¡Sin duda era fan de Alice In Chains! Mi primo y yo solíamos hacer covers años atrás. Me metí en la escena de Seattle. Toda esa música causó un gran impacto en mi vida. Había oído comparaciones entre mi forma de tocar y la de Mike Inez. No es algo consciente. Subconscientemente, siempre me encantó su forma de tocar el bajo.
Aaron Lewis (Staind)
La primera vez que los oí fue con “Facelift”. Recuerdo verles en el Lollapalooza el mismo año que Rage Against The Machine a eso de la una de la tarde. Tool tocaba como a las cuatro. Alice In Chains a las seis. Red Hot Chili Peppers era cabezas de cartel. Fue en Hartford. Los fuegos. La gente echando a bajo las vallas y prendiéndole fuego. Destrozaron el césped y tiraban trozos por todos lados. Son cosas que no ves en un concierto de country (risas) En directo, fue el cáracter estoico, indiferente el que me marcó. Estaba ahí con sus grandes gafas de mosca y la chaqueta de cuero negro con el micrófono en una mano y el pie de micro en la otra. Así todo el set. Todas las canciones que tocaron fueron asombrosas. Lo clavaron. Las letras de Layne fueron tremendas para mi. Era mucho más algo autoinflingido. Era poesía mucho más introspectiva y no necesariamente observacional. Desnudaba su alma cuando escribía. He ido tocando sus canciones los últimos 20 años.
Jacoby Shaddix (Papa Roach)
Probablemente tenía 15 años cuando oí por primera vez a Alice In Chains. Era una de las bandas que mezclaron el grunge con el rock oscuro y sombrío. Era como, “Dame un canuto de maría marrón, a escuchar Alice In Chains y a fliparlo” (risas) Me muero de ganas por verlos en el Rock on the Range.
Jeff Kendrick (DevilDriver)
Primero oí “Man in the Box” en 1991 en la WAAF de Boston. Desde entonces quedé enganchado. Hay algo mágico en su música, su forma de componer y su sonido. Su música tiene profundas texturas oscuras y elementos hipnóticos. Independientemente de su simple enfoque, tienen muchas capas y subcapas de melodía, ritmo y armonía. Abarcan heavy rock de cojones que nadie hacer mejor. Incontables músicos, entre los que me incluyo, han sido influenciados e hipnotizados por estos titanes desde los 90. Tengo la impresión de que “Dirt” es el disco fundamental de esta banda y uno de mis discos favoritos de todos los tiempos.
Robb Flynn (Machine Head)
Me encantan Alice In Chains, tío. Esa mierda neblinosa y psicodélica me atrapó. “Dirt” era tan jodidamente buena. Recuerdo oírlo un montón.
Gustav Wood (Young Guns)
La primera vez que les oí recuerdo pensar que había algo raro en la voz de Layne Staley. Era inquietante. No tenían la sensibilidad pope Nirvana. Nirvana eran más Beatle-ianos. Alice In Chains estaban más en el lado metal. Mi hermano pensaba que Layne era el rey, así que no pude escaparme de ellos (risas)