Me meto un tiro,
¡Pum!
El eco suena,
¡Pum!
O quizás es el corazón,
¡Pum!
Que todavía sueña.

Categoría: Entrevistas

Krist Novoselic recuerda la incorporación de Dave Grohl a Nirvana

Krist Novoselic recuerda la incorporación de Dave Grohl a Nirvana

Krist Novoselic about how Dave Grohl joined the band

Dave Grohl, Krist Novoselic

Sacado de // From –> http://portalternativo.com and http://tdn.com

IN ENGLISH

Wahkiakum County resident Krist Novoselic and his former band Nirvana have been inducted into the Rock and Roll Hall of Fame. Nirvana joins KISS, Peter Gabriel, Hall and Oates, Cat Stevens and Linda Ronstadt as this year’s inductees.

Novoselic, 48, said during a phone interview from his Deep River farmhouse Tuesday that he learned of the news Monday night.

“I found out on Twitter, as usual,” he said. “I was expecting it. I didn’t want to be presumptuous, like we were going to get it for sure, but everybody was telling me were going to get it.”

He never imagined Nirvana would someday be inducted into the Hall of Fame when the band recorded its first album in 1989. Nirvana had been playing small, dingy clubs around Olympia, Tacoma and Seattle, and its songs were only heard on a Sunday night specialty show on Seattle KISW radio.

“We were from the underground,” Novoselic said. “We were just part of this independent scene. We just made our own world.”

He did it for the art, not the acclaim.

“You get drawn into that creative process. I’ve got my bass on and I do my thing. The drummer’s on. The singer and the guitar player are on. And we all just come together,” he said. “You’re living life. You’re drawn into that moment. You’re driven to do something. That’s a real gift.”

Novoselic formed Nirvana with Kurt Cobain in Aberdeen, Wash., in 1987. Cobain’s screeching melodies and tearing guitar riffs, punctuated by Novoselic’s fast and thundering bass-lines, tore through the rock world in the 1990s and introduced Seattle’s “grunge” music scene to the world. In the same way that the Beatles represented the peaceniks and hippies of the 60s, Nirvana’s lyrics were disaffected and nihilistic. They spoke to a generation of bored, frustrated youth looking for meaning.

Nirvana has sold more than 75 million records worldwide — 25 million in the U.S. alone — making the band one of the most successful in rock history. Two of Nirvana’s studio albums — “Nevermind” and “In Utero” — topped the Billboard 200 chart, as did two of the band’s live albums. The band abruptly broke up after Cobain killed himself in 1994.

In the years since Nirvana, Novoselic has at once lived the life of a quiet, timber town resident and rock superstar. One day he is taking classes at the local community college. On another he is backing up a former Beatle in front of tens of thousands of fans.

Novoselic bought his Deep River home in 1992 and has been living there full-time since about 1999. It’s a silent, unassuming place deep in the hills. His four dogs and a few chickens wander the property.

Over the last two decades, he has hosted a radio show in nearby Astoria and served as the Worthy Master of the Grays River Grange No. 124, a particular passion of his. He has accompanied a fellow grange member, the Wahkiakum County author and naturalist Robert Michael Pyle, on finger-style guitar as Pyle performed spoken-word prose. And he has engaged in state politics and was even recruited at one time to run for lieutenant governor.

Last December, Novoselic and the surviving members of Nirvana reunited with former Beatle Paul McCartney at Madison Square Garden in New York for a concert to benefit victims of Hurricane Sandy. McCartney and Nirvana played on Saturday Night Live the same month.

Novoselic was onstage with McCartney again this summer, this time at a sold-out Safeco Field in Seattle. Also this summer, Novoselic and his wife, Darbury Stenderu, flew his Cessna to Chicago to work with the legendary producer Steve Albini on a remastered recording of “In Utero” for the album’s 20th anniversary.

But he has spent many of his days at Lower Columbia College in Longview taking classes for a law degree. A few months ago, Novoselic could be seen at the Cowlitz County Hall of Justice, where he was observing trials for a legal class. When “In Utero” was re-released, a Rolling Stone reporter interviewed him in the children’s section of the Longview Public Library.

Artists become eligible for the Rock and Roll Hall of Fame 25 years after the release of their first album or single. Nirvana, whose first single “Love Buzz” came out in 1988, are being inducted into the institution during their first year of eligibility.

“That’s really no surprise to me,” Rock and Roll Hall of Fame President and CEO Joel Peresman told the Associated Press. “People see the relevancy of that band.”

Novoselic will be officially inducted in April during a concert at Barclays Center in Brooklyn, New York. It has not been announced who will perform.

“I haven’t really thought about that,” Novoselic said of the ceremony.

Asked about the bands that inspired him as a young musician, Novoselic was quick to mention his fellow inductees, KISS, as well as the Beatles, Led Zeppelin, Van Halen and punk rock greats the Sex Pistols, Minor Threat and Black Flag.

“I was really lucky to be a part of … American punk rock. That’s a real blessing,” he said.

In 1990, less than a year after Nirvana released its first album, Bleach, on the Seattle independent record label Sub Pop, Novoselic and Cobain drove to Los Angeles to meet with Susan Silver, the manager of another hard-hitting Seattle band, Soundgarden.

“She introduced us to these major-label people,” Novoselic recalled Tuesday. “That was our first taste of L.A. We didn’t even have a drummer and there were people who were interested in us.”

Alternative rock bands like Jane’s Addiction and Faith No More were having huge mainstream success and major record labels were snatching up small punk and grunge bands like crazy.

“Every band was getting signed,” Novoselic said Tuesday. “Labels had this strategy of throwing you against the wall like pasta to see if you would stick. If they didn’t stick, they would just drop you. Great bands were never given a chance to develop.”

On the way home from L.A., Novoselic and Cobain stopped in San Francisco to visit their friends in the band the Melvins and went to a concert in North Beach where another band, Scream, was performing.

“They had this drummer, Dave Grohl, who was really good,” Novoselic said.

“Dave called us a week later,” Novoselic said, because Scream had imploded after moving to L.A. when its bass player quit. One of the band members had a sister who worked as a stripper, and Grohl had been staying with her. But her landlord was demanding back rent and had removed the home’s front door.

“They were busted and broke in L.A. So Dave had to get out of there,” Novoselic said. “The rest was history.”

Grohl came to Seattle and joined Nirvana. The band released its second album, “Nevermind,” in 1991. Four months later, on Jan. 11, 1992, «Nevermind» knocked Michael Jackson’s “Dangerous” off the No. 1 spot on Billboard’s Top 200 album chart.

“It was very hard to adjust to,” Novoselic said. “We were into the punk world. In the 80s, young people built their own structures for entertainment and social activities.. .. It seemed like Rolling Stone and MTV — they were like Safeway and we were shopping at the co-op.”

Nirvana released a follow-up, «In Utero,» in 1993 and it also rose to Billboard’s No. 1 spot. But Cobain, who struggled with heroin addiction, committed suicide at the age of 27 on April 8, 1994, and the band broke up. Grohl went on to form the wildly successful Foo Fighters.

Asked if Nirvana would still be together and making records today if Cobain were still alive, Novoselic said, “I don’t know. Its so hard. Bands — it’s so hard to speculate. Bands stay together. Bands fall apart. They can reunite again. It’s just so hard to say.”

EN ESPAÑOL

Krist Novoselic, ex-bajista de Nirvana, ha hablado con The Daily News sobre la entrada de la banda en el Salón de la Fama del Rock.

Me enteré por Twitter, como de costumbre. Lo esperaba. No quiero ser presuntuoso, como si fuésemos a entrar seguro pero todo el mundo decía que íbamos a lograrlo.

Éramos del underground. Éramos una parte de este escena independiente. Hicimos nuestro propio mundo.

La ceremonia en la que Nirvana serán incluidos en el museo se celebrará en abril en el Barclays Center de Brooklyn, Nueva York. Se desconoce quien estará presente para presentarles aunque no es algo que le preocupe.

La verdad es que no he pensado en ello.

Novoselic recuerda como allá por 1990, un año después de publicar su debut, “Bleach”, viajó con Kurt Cobain a Los Angeles para reunirse con la que por entonces era manager de Soundgarden, Susan Silver.

Nos presentó a toda esa gente de las grandes discográficas. Fue nuestra primera muestra de Los Angeles. No teníamos ni siquiera batería y esa gente estaba interesada en nosotros.

De vuelta de Los Angeles, Novoselic y Cobain se pasaron por San Francisco para visitar a sus amigos de Melvins y aprovecharon para ir a un concierto de Scream.

Tenían ese batería, Dave Grohl, que era realmente bueno. Dave nos llamó una semana después porque Scream se rompió tras mudarse a Los Angeles cuando se fue su bajista. Uno de los miembros de la banda tenía una hermana que trabajaba de stripper y Grohl había estado viviendo con ella. Pero su casero pedía meses atrasados y les había quitado la puerta de entrada de la casa.

Estaban destrozados y arruinados en Los Angeles. Así que Dave tenía que salir de ahí. El resto es historia.

Preguntado por si cree que hoy día Nirvana seguirían juntos, el bajista no se atreve a conjeturar.

No lo sé. Es tan difícil. Las bandas – es tan difícil especular. Las bandas siguen. Las bandas se separan. Se pueden volver a reunir. Es demasiado difícil decirlo.

Krist Novoselic y Dave Grohl hablan sobre la entrada de Nirvana en el Rock and Roll Hall of Fame

Krist Novoselic y Dave Grohl hablan sobre la entrada de Nirvana en el Rock and Roll Hall of Fame

Krist Novoselic and Dave Grohl have commented on Nirvana being chosen to be inducted into the Rock and Roll Hall of Fame

http://wac.450f.edgecastcdn.net/80450F/loudwire.com/files/2013/02/Dave-Grohl-Krist-Novoselic.jpg

Sacado de // From: http://www.alternativenation.net

Krist Novoselic ha dicho a la prensa: Krist Novaselic said, “Es un gran honor. Doy las gracias a la gente que ha votado por nosotros. Agradeced la inmensa mayoría de todo a Kurt Cobain. También a todos aquellos que mantienen al Rock vivo desde hace 60 años y siguiendo».

Por su parte Dave Grohl ha dicho: «Por una vez … Estoy sin palabras. Desde los sótanos, a los clubes de mala muerte, a las furgonetas destrozadas al … al Salón de la Fama del Rock and Roll. Me gustaría dar las gracias a la comisión no sólo para esta inducción, sino también para el reconocimiento de Nirvana por lo que éramos: puro rock-and-roll «.

IN ENGLISH

Nirvana bass player Krist Novaselic said, “This is a great honor. Thank you to the people who nominated and voted for us. Thank you most of all to Kurt Cobain. And to everyone who’s kept Rock music going strong for 60 years and counting.”

The band’s drummer, and later Foo Fighters frontman, Dave Grohl, added, “For once… I’m speechless. From the basements, to the dingy clubs, to the broken down vans, to… the Rock and Roll Hall of Fame. I’d like to thank the committee not only for this induction, but also for recognizing Nirvana for what we were: pure rock and roll.”

La ex-bajista de Pixies podría haber sido despedida por lanzarse al público

La ex-bajista de Pixies podría haber sido despedida por lanzarse al público

Kim Shattuck on being fired from ‘introverted’ Pixies: ‘I was shocked’

http://nme.assets.ipccdn.co.uk/images/gallery/2013PixiesPA-17686686260913.jpg

Sacado de // From –> http://portalternativo.com and http://www.nme.com

La salida de Kim Shattuck de Pixies fue no solo inesperada para los ajenos a la banda sino también para la propia bajista.

Hablando con el New Musical Express ha expresado su extrañeza por como fue echada del grupo.

Me sorprendió. Todo había ido bien, las críticas eran todas buenas y los fans también estuvieron super guay con todo. Decían, “Nos encantas, ¡nueva Kim!”. Nos despedimos en el aeropuerto y a la mañana siguiente y me dijo, “La banda ha tomado la decisión de seguir adelante con otra bajista”. Quedé conmocionada…

Tengo la sensación de que es gente más introvertida que yo. Nadie habló de grandes problemas, al menos en alto. Hubo un concierto en el Mayan de Los Angeles donde me pasé de entusiasmo y salé al público y sé que a ellos no les emocionó. Cuando salí del escenario, el manager me dijo que no lo volviera a hacer. Y dije, “¿Por mi propia seguridad?” Y me dijo, “No, porque Pixies no hacen eso.”

Anteayer se confirmó que Paz Lenchantin es la sustituta de Shattuck para los conciertos que llevarán a cabo en 2014, entre los que se encuentran los Lollapalooza Argentina, Chile y Brasil, además del Primavera Sound barcelonés.

IN ENGLISH

Kim Shattuck has discussed her exit from Pixies for the first time, revealing that she was told the news over the phone by the band’s manager.

Shattuck was relieved of her duties as bass player in the band in November after joining in the summer as replacement for founding member, Kim Deal. Speaking in this week’s NME, which is available digitally and on newsstands now, Shattuck reveals that she was not expecting to leave the band, having agreed verbally to tour with them into 2014.

«I was surprised. Everything had gone well, the reviews were all good and the fans were super-nice about everything. They were like, ‘We love you, New Kim!’,» she says. «We said goodbye at the airport and the following morning the manager called me and said: ‘The band has made the decision to go with another bass player.’ I was shocked.»

Speculating as to why she may have been replaced, Shattuck says: «I get the feeling they’re more introverted people than I am. Nobody really talked about deep issues, at least out loud. There was a show at the Mayan in Los Angeles where I got overly enthusiastic and jumped into the crowd, and I know they weren’t thrilled about that. When I got offstage the manager told me not to do that again. I said, ‘Really, for my own safety?’ And he said, ‘No, because the Pixies don’t do that.'»

However, Shattuck does not bear a grudge toward Frank Black and his band mates: «I would have preferred it if they told me face to face as a group, but they’re nice people. I’m still a fan of the Pixies!»

Earlier this week it was confirmed that Paz Lenchatin will replace Shattuck for Pixies live dates in 2014, including headline slots at Primavera and Field Day.

Read more at http://www.nme.com/news/pixies/74353#xvyqDyKB4wurYjhr.99

«Bonitas» palabras a Kurt Cobain por parte de Chris Robinson (The Black Crowes)

«Bonitas» palabras a Kurt Cobain por parte de Chris Robinson (The Black Crowes)

«Nice» words to Kurt Cobain by Chris Robinson (The Black Crowes)

http://www4.pictures.zimbio.com/fp/Chris+Robinson+Family+Out+West+Village+VagKnuvpPRNl.jpg

Sacado de // From –> http://www.songfacts.com

Le preguntaron sobre unas antiguas declaraciones que hizo sobre Kurt Cobain y respondió lo siguiente:

«Dije eso porque toda la gente hablaba de él diciendo que era un yonki y que ÉL se voló la cabeza. Le estaban comparando con gente con las que no tenía comparación- él no es John Lennon. Él no puede llegar a ser comparado con John Lennon. Siento que él era un tío drogadicto que se voló los sesos. Escribió un par de canciones y álbumes exitosos y beneficiosos pero nada más.

Tengo 47 años de edad, así que cuando yo era un niño, Jim Morrison era para mí lo que sigue siendo hoy. No creo que Cobain sea eso.

Hay jóvenes siempre desposeídos. Lo que pasa con Nirvana es que han pasado ya 20 años, lo de a su alrededor no era por los álbumes o las canciones; era por la angustia y el drama. Yo realmente no creo que la música fuese el principal foco de la escena o de ese grupo, a medida que el tiempo ha pasado.

Está claro que tenía un don para escribir una canción pop. Se le podría llamar grunge o lo que sea, pero él podría escribir una buena canción pop. Podría haber sido sobre deprimentes, cosas oscuras, pero una buena canción pop es una buena canción pop «.

IN ENGLISH

Chris Robinson discussed late Nirvana frontman Kurt Cobain in a new interview with Songfacts.  When interviewer Greg Prato mentioned that he remembered Robinson saying Kurt Cobain was a good songwriter on MTV in the early 90′s, Robinson responded:

“I said that because all people talked about was him blowing his brains out and being a junkie. They were comparing him to people that he didn’t have a comparison to – he’s not John Lennon. He doesn’t get to be compared to John Lennon. I feel he was a junkie guy that blew his brains out. He wrote a couple of albums’ worth of songs.

I’m 47 years old, so when I was a kid, Jim Morrison was still like this thing or whatever. I don’t think Cobain is like that.

There’s always disenfranchised youth. The thing about Nirvana is 20 years have gone by, and it wasn’t really ever about the music or the songs; it was about the angst and about the drama. I don’t really think music was the main focus of that scene or that group, as time’s gone on.

He obviously had a gift to write a pop song. You could call it grunge or whatever, but he could write a good pop song. It might have been about depressing, dark things, but a good pop song is a good pop song.”

Mark Lanegan «analiza» su carrera en una nueva entrevista (Influencia del Grunge, colaboración con Kurt Cobain…)

Mark Lanegan «analiza» su carrera en una nueva entrevista (Influencia del Grunge, colaboración con Kurt Cobain…)

Mark Lanegan discusses the highs and lows of his catalogue

Mark Lanegan – Album By Album

Sacado de // From: http://www.uncut.co.uk

SCREAMING TREES – BUZZ FACTORY
(SST, 1989)
El viaje de los Trees desde Ellensberg a Seattle, aparición de las influencias Hard Rock y psicodélicas e introducción a la energía Grunge

Antes de hacer este disco, hicimos todo un doble álbum pero nadie estaba contento con la forma en la que sonaba . Sé que suena caro, pero en aquel entonces las grabaciones nos costaban mil dólares, por lo que fueron dos mil dólares lo que nos costó hacer ese disco. Lo hicimos en una semana. Pero no nos gustó. Justo entonces yo escuché el primer EP de Mudhoney, » Superfuzz Bigmuff «. El escuchar a Mudhoney me hizo sentir como si fuéramos unas mariconas, porque cuando oyes el bajo y la batería , simplemente todo es una pasa . Dije: » Tenemos que conseguir al tío que hizo esto» Ese fue Jack Endino . Así que fuimos a Seattle – Dormí en el piso de mi hermana – y lo hicimos en cuatro o cinco días. Se utilizó tal vez una de las canciones del doble álbum , eran todos temas nuevos . [ El guitarrista ] Gary Lee Conner , escribió en exceso, escribía dos, tres o cuatro veces al día : canciones completamente formadas . No era más que una máquina. ¡Y la canción que venía del anterior disco se terminó quedando fuera ! Todavía no tenía el poder del EP de Mudhoney pero estaba mucho más cerca de ser representativo de como sonábamos en directo. Y esa fue nuestra primera experiencia de trabajar con Jack – fue genial .

MARK LANEGAN – THE WINDING SHEET
(Sub Pop, 1990)
Abortiva colaboración con Kurt Cobain da lugar a la primera salida en solitario

Yo y Kurt Cobain estuvimos escuchando un montón a Lead Belly y disfrutábamos con ello. Pensamos : «vamos a hacer un EP de canciones Lead Belly» . Hicimos un par , y los dos estábamos como, » No, esto es una mala idea . » Por ello dejamos la idea a un lado. Después [El jefe del sello Sub Pop ] Jon Poneman entró y dijo: » Es una pena que no termines esa grabación , ¿por qué no haces un disco en solitario ? » No podía tocar la guitarra y sólo había escrito algunas palabras para los Trees – que consistía en tomar las palabras que ya estaban escritas y cambiar algunas para conseguir que tengan una apariencia de personalidad . Jon me dijo lo que me iban a dar para hacer el disco . Yo estaba trabajando en un almacén, y pensé, ‘¿Sabes qué , yo jodidamente podría dejar ese trabajo y vivir a lo grande ! » Conseguí un libro de acordes Mel Bay, y al final del día, cuando estaba bajando mi última cinta transportadora de cajas me venía alguna melodía. Guardaría la melodía en mi mente durante el trayecto el autobús y al llegar a casa encontraría los acordes. Lo hice el primer día que lo intenté, y lo hice 10 , 12 veces más, y también tomé una de las canciones que hicimos Kurt y yo juntos I, » Where Did You Sleep Last Night ? «. Principalmente lo vi todo a causa de los incentivos financieros, pero me alegro de haberlo hecho .

Si queréis seguir leyendo la entrevista (en inglés), pasaros por:

http://www.uncut.co.uk/mark-lanegan/mark-lanegan-album-by-album-feature#Cuv7rqJuDYxif5Zd.99

 

IN ENGLISH

SCREAMING TREES – BUZZ FACTORY
(SST, 1989)
The Trees journey from Ellensberg to Seattle, hone hard rock/psychedelic influences and tap into energy of grunge

Before we did that, we did an entire double album and nobody was happy with the way it sounded. I know that sounds expensive, but back then we made records for a thousand dollars, so it was two thousand to make that record. We made it in a week. But we didn’t like it. Right about then I also heard the first Mudhoney EP, “Superfuzz Bigmuff”. Hearing Mudhoney made me feel like we were total pussies, because when you hear the bass and the drums, everything’s out there. I said, “We gotta get the guy who did this to do our record.” It was Jack Endino. So we went to Seattle – I slept on the floor at my sister’s – and made it in four or five days. We used maybe one of the songs from the double album; they were all new songs. [Lead guitarist] Gary Lee Conner wrote excessively, he’d write two, three or four a day sometimes: fully formed songs. He was just a machine. And the one song that came from the double album we ended up leaving off the record! It still didn’t have the power of the Mudhoney EP but it was a lot closer to being representative of what we sounded like live. And that was our first experience of working with Jack – it was great.

MARK LANEGAN – THE WINDING SHEET
(Sub Pop, 1990)
Abortive Kurt Cobain collaboration leads to stark first solo outing

Me and Kurt Cobain were both listening to a bunch of Lead Belly and diggin’ it. We thought: let’s do an EP of all Lead Belly songs. We did a couple, and both of us were like, “Nah, this is a bad concept.” We set it aside. [Sub Pop label boss] Jon Poneman came in and said, “Shame you guys didn’t finish that record, why don’t you make a solo record?” I couldn’t play guitar, and had only written some words for the Trees – which consisted of taking words that were already written and changing some to make them have some semblance of personality. Jon told me what they would give me for making the record. I was working in a warehouse, and I thought, ‘You know what, I could fuckin’ quit that job and live high on the hog!’ I got a Mel Bay chord book, and at the end of the day when I was lowering my last conveyor belt of boxes I would come up with a melody. I would have it in my mind on the bus all the way home. I would get home and find the chords. I did it the first day that I tried, and I did it 10, 12 more times, and I also took one of the songs from Kurt and I’s session, “Where Did You Sleep Last Night?”. I mainly saw it through because of the financial inducements, but I’m glad I did.

Read more at http://www.uncut.co.uk/mark-lanegan/mark-lanegan-album-by-album-feature#Cuv7rqJuDYxif5Zd.99